Brief biography Eco

Photo by Umberto Eco - biography of Umberto Eco - a researcher and writer, who left a trace in various fields: he wrote the novels “The name of the rose”, “Foucault name” known to the world, as a literary critic reflected on the heritage of the authors in the work “Open Work” and even managed to be a teacher at Harvard University. The early years of Umberto Eco was born on January 5 in Alessandria, near Turin.

The boy’s parents came from a simple kind, so it could not occur to them that the name of their son would be known to the whole world. Father worked as an accountant, several wars were left behind him, so health problems often made themselves felt. Father Umberto was a native of a large family. He often told his son that the money was not particularly in the family, but this could not repay his craving for reading.

Since the young man could not buy books, he came to the bookstore and took on reading, pretending to carefully examine the pages. Noticing this trick, the owner drove the impudent, and Eco had no choice but to go to another institution and find the book that had begun there. Umberto Eco In his youth, the father of Umberto wanted his son to receive a legal education, but he showed his character and went against the will of the parent, entering the University of Turin, in order to deeply study the literature and philosophy of the Middle Ages.

In the year, the graduate was awarded the degree of bachelor of philosophy. During the years of student, Umberto for a number of reasons was disappointed in the Catholic Church, which subsequently led him to atheism. Creativity for a long time Umberto Eco was passionate about the study of the “ideas of the beautiful” that arose in the philosophy of the Middle Ages. The philosopher outlined thoughts that arose on this basis in the work “The Evolution of Medieval Aesthetics”, the work saw the light of the year.

Three years later, the following work was born from the pen of IVF-an “open work”. In it, the author argues that some authors deliberately have not completed a number of their works, so readers of different eras can interpret the endings differently. Along with literary criticism, the young man was carried away by culture: he studied its various forms, considered the features of “high” and mass culture.

The young philosopher Umberto Eco scientist managed to find out that in postmodernism there are no clear boundaries between these phenomena. And he actively developed this topic in his work. These boundaries are significantly blurred. Umberto actively developed this topic. Carried away by the idea, he began to study comics, cartoons, songs, modern films and even novels about the great James Bond.

For several years, Umberto deeply analyzed the literary criticism and the aesthetics of the Middle Ages. He combined his own thoughts on this score into one great work, where he examined the theory of semiotics he had stated in detail. Also, this line is easily traced in other works of the philosopher: in the "Treatise of the General Semiotics", "Semiotics and the Philosophy of Language." In separate materials, the scientist considered structuralism in a critical manner.

According to IVF judgments, the ontological approach to the study of the structure is erroneous. In works dedicated to Semiotics, the author described the theory of codes. Umberto argued that there are unambiguous codes and more complex codes. He attributed to the first to the ABC Morse, the connection traced between DNA and RNA, and to the second - semiotic, which are hidden in the structure of the language.

The scientist also discussed on the topic of social significance. He emphasized its importance, in contrast to the attitude of signs with real objects. Later, Umberto Eco turned to the problem of interpretation, he intently investigated the channel for several decades. On the pages of the monograph “The role of the reader” a new definition of the “ideal reader” appeared for the author.

The writer examined this term as follows: the ideal reader is able to understand that one work can be interpreted several times. Starting research, the philosopher shared general classifications and global interpretations. Later, the theoretician began to give preference to “short stories” devoted to certain forms of experience. The writer also believed that the works are by the power to form a reader.

Umberto Eco started writing novels only at 42 years old. The first creation was the work “The name of the rose”. This philosophical and detective novel was destined to turn the author’s life: the name of the writer became known to the whole world. The actions of this story unfold in the walls of the medieval monastery. Three years later, a small book was published “Notes on the fields of the“ Name of Rosa ”, which became a kind“ backstage ”for the first novel.

The pages of this work are devoted to the author’s thoughts about the relationship between the reader, the author and the events of the book. Umberto Eco devoted the next five years of his biography to create another work, which was the novel "Pendulum Foucault". Readers were able to get acquainted with the book in the year. The writer managed to conduct a kind of analysis of modern intellectuals, which mental inaccurate allows you to generate monsters, which include fascists.The book was distinguished by an interesting and unusual theme, so it quickly gained popularity in the society of readers.

The author of the work himself noticed that many are mistaken, considering the novel fantastic. According to him, he created a realistic work. In the year, a drama with a penetrating plot was completed. Reading it, people experienced pity and compassion, pride and admiration. The time of action is the XVII century. In his works, the author was asked by questions that excite society for many centuries.

And later he began to write on historical and philosophical themes. In this spirit, the adventure novel “Baudolino” was created, which could be bought in bookstores in the year. The plot of the work is based on reliable trips made by Friedrich Barbarossa's adopted son. Another incredible novel was the “mysterious flame of Queen Loana”. This time, the main character loses memory due to an accident.

Umberto Eco decided to move away from the usual scenario of temporary amnesia among literary characters and turned the events so that the hero cannot recall the names of relatives and friends, but at the same time he clearly reproduces the names of the books read. The novel became a kind of reader biography of IVF. One of the final novels Umberto Eco was the Prague Cemetery.

In Russian stores, the book went on sale only a year after the publication in Italy was completed. According to the author himself, he no longer planned to compose, and the Parisian Cemetery was to be the end of the writer's career. But it wasn’t there: five years later, the “zero number” was completed, which became the final chord in the creative “song” of the writer.

In addition to literary works, Umberto Eco left the legacy of scientific works, research and philosophical works. One of the most striking creations was the book "Art and Beauty in medieval aesthetics." The philosopher managed to collect the aesthetic teachings of those times of Thomas Aquinas, William Occam, rethinking and uniting into an integral essay. Also, among the large number of scientific works of IVF, “the search for a perfect language in European culture” earned special attention.

Umberto Eco set himself the task of knowing the unknown, in connection with which in the works the question sounded every time: “What is beauty? As a result, the researcher came to the conclusion that representatives of different eras looked differently at the situation and offered new ways to solve this problem. Suddenly, readers found in one time interval contrasting concepts, sometimes conflicting with each other.

The writer’s thoughts on this subject were reflected in the work “History of Beauty”, published in the year. Umberto so deeply considered the issue of human life that he could speculate not only on the topic of beauty, but also touched on the side of ugliness.

At the same time, the author did not contrast beauty and ugliness, realizing that their essence cannot be understood without each other. The interests of Umberto Eco were so wide that he studied materials on this subject with fire in his eyes. The writer began to secretly call an expert in Bondology. Umberto Eco at the desk to surprise, not one of the fairy tales composed by the writer was honored to stand on a par with literary masterpieces.

In Italy and English -speaking countries, the novels and fairy -tale stories still gained popularity, while the general collection “Three Tales” was published in Russia, in which fairy -tale stories were combined. Umberto IVF was such an erudite person that he had the honor of conducting lectures at Harvard University: classes were devoted to issues of difficult relationships of real and fictitious in the works of life, characters and the author himself.

They may be familiar.