Rustam Milkiev Biography

But, despite his youth, in a short period of time, he managed to establish himself as a skilled leader, a competent specialist, a caring and attentive colleague. In the year, Rustam Vakhaevich graduated from the acting faculty of Moscow State University of Culture and Art. The young man, from childhood, dreamed of becoming a military man, like his father, but by coincidence was completely in the opposite area.

Upon admission, where 32 who expressed a desire to study at the Faculty of Acting claimed, he successfully passed with Mimalt Solzaev, widely known not only in the republic, but also far beyond the director Ghchdail Tsongn, a qualifying tour and passed the entrance exams. As Rustam recalls now, everything happened so quickly that he did everything almost unconsciously. But when he ended up among the students, he decided that if fate ordered this, then this was destined to be - from the first days he seriously took up his studies and completely plunged into his student life.

He studied well, in the circle of classmates was distinguished by seriousness, responsibility, and discipline. In the first year, the head of the group was elected and all five years did an excellent job of this organizational “post”. After graduating from the university, Rustam Vakhaevich, having worked as an assistant to the authorized representative of the Chechen Republic under the President of the Russian Federation as an assistant to the authorized representative of the Chechen Republic in Moscow, returns home.

In his homeland, his labor activity in the ruling and ashes of Grozny begins with the post of artistic director of the theater and concert hall, where work was actively carried out to restore it. By making enormous efforts to revive one of the large cultural centers of the republic, he again, his attitude to the entrusted business, grip, and performance, becomes noticeable and literally a year later is appointed deputy minister of culture of the republic.

And since the year, Rustam Vakhaevich is the director of the theater. And in this position, from the very first day, Rustam Vakhaevich showed organizational abilities, delving into all questions, as a business executive and leader. I would like to note that during these years the theater team was just beginning to enter the usual theater life. Although the building, with the careful assistance of the head of the Chechen Republic, Ramzan Akhmatovich Kadyrov, was completely restored and repaired, but so far there was also a material and technical component, and there was also no specific repertoire.

It was not the fault that the theater lost its viewer. And Rustam Vakhaevich, with the assistance of the chief director of the theater Ruslan Khakishev, undertook to revive the former glory of the National Theater. The troupe of the theater, and especially the oldest actors, played an important role in this. According to Rustam Vakhaevich, all issues were seized at the same time: improving the organizational component, establishing lost ties with theatrical groups of the North Caucasian republics, touring activities, the acquisition of stage clothing, costumes, and at the same time social issues of actors were resolved.

With the actual activity of the director, it was possible to gradually establish the material and technical part, bring into compliance with the requirements of the stage mechanics, equip sewing and decoration workshops, purchase their vehicles for touring trips. In the summer of the year, according to the personal initiative and sketches of the director, the facade part of the theater building again underwent huge positive changes.

There was an inscription in Chechen, on marble slabs on the columns at the entrance, an inscription in two languages ​​was made - in Chechen and Russian, a courtyard with the device of the ramp was re -restored, a green zone was landscaped. In a short time, a museum was restored, where rich material about the history of the theater was collected, about those people who stood at the origins of the origin and development of theatrical art at different periods of time.

Joy and admiration for both colleagues-actors and spectators of both troupes knew no bounds. After so many years, the meeting caused tears in the eyes of both Chechen and Ossetian actors, which was connected by long -standing friendship both as people of art and as just old acquaintances. Then there were touring in Dagestan, Kabardino-Balkaria, Ingushetia. The troupe of Ossetian, Kabardian, Dagestan, Balkarian theaters began to come to the republic.

Our viewers also warmly met their favorite groups and their long -standing friends. During this period, the team began to work on the restoration of the repertoire. Wanting to please their spectators, they began to put such fun performances as “Marriage”, “Matchmaking by the stream”. The viewer reached for the theater again. Currently, the team has several sets of stage clothing, several pairs of national costumes.

In Taganrog, new costumes for future performances are ordered and sewn. So, step by step, for two or three years under the skilled leadership of the young but energetic director Rustam Vakhaevich the theater was revived and healed with a new life.An even greater inspiration for the theater team turned out to be a large material and moral support, provided in the year of the head of the republic, Ramzan Akhmatovich Kadyrov.

When meeting with cultural figures, he spoke very warmly about the team of the National Theater, paid special attention to veterans, giving comfortable Toyota Camry cars and several apartments, as well as monetary rewards, which undoubtedly caused great respect and gratitude to the actors for such attention to themselves. This, undoubtedly, is the share of the merits of the director Rustam Milkiev.

At the same time, under the leadership of the director, the theater resumed its touring trips around the district centers and villages of the republic. Perhaps there was not a single village where the theater would not show its performances. As Rustam Vakhaevich said, now in the repertoire of the theater-performances for all ages, starting from the youngest spectator, as “Anya Flower”, “Golden Trap”, “Bremen Musicians”, also for young people-“reckoning”, “Word of the man” and spectators of the older generation “God-ali”, “Council of Ministers and Daud”, “Immortal”, “Neighbors”, etc.

The plan of the theater for this year: a monthly show on stage up to 5 performances and cover up to 40 thousand spectators, which suggests that the National Theater, having survived all the pasture cataclysms, returned to its former glory and the viewer returned to the hall.

The fact that Rustam Vakhaevich is a caring leader and cares about the tomorrow's day of the theater, also says that he became the author of the Zajano project-the initiator of the master class of specialists from Moscow with the talented abilities of the youth of the republic. According to this project, there is an annual selection and direction of youth to study at the Moscow State University of Culture and Art, where 10 people are currently successfully studying.

He is also a participant in the inter -republican events "Caucasian Games". Within the framework of the announced year of culture, the theater is being prepared in September to accept in the republic all the national theater groups of the Republics of the North Caucasus, where each team will present a performance in its native language and will be provided by the translation of performances into public Russian language.

Although Rustam Vakhaevich and the young leader of a solid theater team, he is a successful director, dear and authoritative leader. Solving daily production issues, he does not miss a single case, so as not to delve into or help his colleagues in solving their household and social issues, which again causes universal respect and gratitude to him. At the same time, Rustam Vakhaevich is the deputy head of the Association of Theaterups on the South of Russia, on March 5 of this year, he was elected chairman of the Union of Theater Workers of the Chechen Republic.

As a successful cultural worker and the organizational abilities possessed at the end of the year, Rustam Vakhaevich was entrusted, and he accompanied the delegation of the republic with a cultural mission to Antwerp, where meetings with the Chechen diaspora and the concerts of the Vaine ensemble were given. For his impeccable work of R., it is undoubted that the Chechen State Drama Theater named after H.

Nuradilov with such a leader as Rustam Vakhaevich Milkiev, preserving the old traditions and at the same time opening up new names and new forms of theatrical activity, will contribute to the development of modern theatrical art. Malika Abalaev.