Arinbasarova biography

Her dad was a military man, and her mother was engaged in children - there were five of them in the family. When the father graduated from the Military Academy. Frunze, he, as often happens with officers, began to transfer from place to place. After a series of crossings, the family settled in Alma -Ata, and there, finally, Natalia’s dream came true - she entered a ballet school. Since the republic paid for her training, the graduate had to be sent back to Alma-Ata, dance at the Opera and Ballet Theater.

So it would have happened if not for Andron Konchalovsky. Just at that time, he was looking for the heroine for the role of Altynai in the film "First Teacher". After looking at the students in the junior grade, Konchalovsky chose one of them, but the next day the educators were mistaken and sent to the Mosfilm Arinbasarov. Konchalovsky, seeing the girl, was surprised, but did not give a look.

He talked with Natalia and approved her for the role. So immediately after receiving the diploma, Aririnbasarova flew to the shooting in Frunze. On the set, Andron Konchalovsky and Natalya Arinbasarova got married. Two years later, the son of Yegor was born. And the role of the Altynai in the film “The First Teacher” brought her the highest award of the film festival in Venice.

But our Natalia went around recognized stars. At the entrance exams, the young applicant was besieged by photographers and correspondents. The master of domestic cinema Sergei Gerasimov was asked to star with his future student, and he willingly agreed. Sergei Apollinarievich forbade his students to act in films. We must first learn something, ”he said. But for Natalia, the master of domestic cinema made an exception.

So the young star starred in the film "Tashkent is the city of bread." The script for this picture was written by Andron Konchalovsky according to the story of Neverov, specifically introducing a small role for Natalia into the narrative. She played Saule - a chekist girl who dies at the hands of a bandit. The picture "Jamil" according to the Genghiz Aitmatov had a great success. The film talked about a beautiful, sharp in the tongue of a girl who leaves the wealthy, established life to a lonely, unsettled Daniyar.

She fell in love with this gloomy, taciturn man, solving an exalted and pure nature in him. He planned this film specifically to make his entire course. And the course was really wonderful, and, interestingly, rich in Natalia. Subsequently, they all became the stars of domestic cinema. She recalls: “I remember how Tamara Fedorovna said to me with an intriguing look:“ Natasha, Sergey Apollinarievich writes a role for you.

” And when he read the script, I waited with bated breath when, when, when my role would be.

The role is small, but for some reason the audience remembers me the most in this role. I played Katya to Grane there, a young ballerinka girl. He first used my previous profession in the cinema. ” But even before that, she broke up with Konchalovsky. He left, leaving Natalia with his little son Yegor in her arms. They parted with Konchalovsky due to the fact that he wanted to go abroad for permanent residence.

To do this, it was necessary to marry a foreigner Konchalovsky married French actress Masha Meril. Natasha and Yegor were an obstacle, but she did not interfere. With Konchalovsky, they maintained a good relationship. Natalia is grateful to him for giving a good education to his son abroad - because for training in Cambridge and Oxford you need to pay a lot of money. Yegor Konchalovsky studied at the art history department.

Returning to Moscow, he created an advertising agency, and subsequently became, like his father, a famous director. Natalia was not left alone. A woman of rare beauty and not only external she later became the wife of the artist and film operator Nikolai Dvigubsky. Their daughter Katya Dvigubskaya graduated from the acting department of VGIK, but decided to make a movie herself and then entered the highest directorial courses.

Katya must be talked separately. She is an actress, screenwriter, director. Finally, just a beauty. In the fall of the year, the book “Moon Roads” was published - a book about Natalia Arinbasarova, about her childhood, ballet youth, a movie career, children and husbands. Katya wrote her according to her mother’s stories, becoming, in fact, her biographer. But Natalya parted with Dvigubsky, director Eldor Urazbaev became her third husband.

Natalia Arinbasarova says: “The reasons for personal disasters were purely personal, and I cannot complain that my husbands treated me dismissively. Andron always forced me to engage in self -education, Kolya Dvigubsky - an excellent artist - was very respectful about my profession, I starred in several films with Eldor Urazbaev. All three believe that I am a good actress, and everyone supported me in my work.

Eldor also had two children, and I always tried to come to our house and feel comfortable here. And to this day they come and consider me a relative, the grandmother of their children. ” And here is what Katya says: “Mom with all her husbands had a great relationship, probably that is why Andron treated me perfectly and even offered to pay my education in half with my dad.I also have a great relationship with my dad - over the years, he has become much more interesting for me.

In childhood, of course, there were resentments that he was not as attentive to me as we would like, but with age it was all forgotten. Eldor, who raised me, was my real father, put me on my feet, and thanks to him a lot took place in my life. At the most difficult moments, he was always there, was my back, shoulder experts say that Natalya Arinbasarova for cinema - “tidbit”. This is an actress who approaches everything creatively, and every role is always a small masterpiece.

In the film "Trans -Siberian Express" the film director and third husband Eldor Urazbaeva Natalya played a small but vivid role of Aizhan. In order to truly enter the image, Natalya asked her to sew a chiffon dress, as it gave airiness the girl to the image of the girl. In the years, the actress created on the screen such images as: Gulsara, the wife of Azat in the film “Ulan”, Shafan in the film “On the Night of the Lunar Eclipse”, Kamshat Sataev in the film “Taste of Bread”, Gulkan in the film “Silver Horn of Ala-Tau”, Karagoz in the film “Additional Questions”, Natasha in the film “Second for the feat”, musicologist Marina in the Detective “Visit to the Minotaur”, Rashid Abbasovna Ramazanova in the “Entrance to the Labyrinth” detective and others.

In the film “System-Nipple”, which was shot by Alexander Pankratov-Black, Arinbasarova played a small and not typical role of a drunkard. She was delighted when she realized that it turned out convincingly. It is noteworthy that they shot this film during the “dry law” in the present line for vodka. In the new century, the actress, after a long break, returned to the movie screens.

It can be seen in roles: the director of the orphanage in the film “Escape”, Mustafa’s mother in the Russian-Kazakh tape “Mustafa Shokai”, Aunt Kultan in the film “Mika and Alfred”. Natalia Arinbasarova once admitted about her life in an interview: “Maybe my career could have developed better. I would like to play in the classic - Shakespeare, Ostrovsky, but I was mainly offered the same types - my external data limited me in choosing roles, but if you think so, I would play ten roles more.

And what?