Grigoryevich biography

Grigory Myasoedov is also known as one of the creators of the Partnership of Mobile Art Exhibitions. Childhood and youth Grigory Myasoedov Grigory Myasoedov was born on April 7 19 in the village of Pankovo ​​of the Tula province now Oryol region. The Myasoedov family belonged to the old noble family, but it was impoverished, and his life in a small estate was not much different from simple peasant life.

As a child, Gregory studied at the gymnasium of the city of Orel, but in the year, shortly before the end, he threw it, and decided to connect his life with art. Almost without funds, accompanied by conviction from his father, the young man went to St. Petersburg and entered the Academy of Arts. In the youth of Myasoedov lived just as poorly. In the capital, he had to rent a small room and exist almost to starve, earning a living by painting gingerbread for a small confectionery.

However, the poverty and the need to work much did not prevent his studies: quite soon, Grigory Myasoedov advanced among the first students of the Academy and began to receive well -deserved awards for his work. In the year, he was awarded a small gold medal for the canvas “Congratulations to the young in the landowner’s house”, and a year later - a large gold medal for the work depicting the scene from Boris Godunov A.

Pushkin - “The flight of Grigory Otopiev from the Korchma on the Lithuanian border”. The artist in the year graduated from the Academy. The biography and work of Grigory Myasoedov as the best graduate of the Academy of Arts, Grigory Myasoedov got the opportunity for a state -owned account to be trained abroad to six years old. Such recipients of the pension usually continued to study in Europe, where they got acquainted with both the classical art of the past and the modern trends in painting.

The second half of the x Myasoedov lived and worked in France, Italy and Spain. Upon returning to his homeland in the year, he was awarded the title of academician for the painting “Spell”. The work of Myasoedov developed in line with a realistic tradition. Most often, he sought to recreate the life of peasants and other ordinary people on a canvas. Despite the fact that the artist turned out to be a very versatile master, among his works there are not only genre and historical scenes, but also portraits and landscapes - the style of meat -eater paintings is distinguished by the unity of the approach and the authenticity of the deported plot, sometimes reaching naturalism.

The works of Myasoedov are distinguished not only by special realism, but also by complex psychologism. Reliably showing the hardships of life and the poverty of peasants, Myasoedov was not inclined to straight -line social criticism. Passing the audience the emotional and physical condition of the disgusting person, forcing him to empathize with him, despite the specificity of social images, brings some universal content to each work.

Its heroes are quite specific as social types, but at the same time, and conditional are people in general whose life is valuable regardless of their position in society. Grigory Myasoedov is considered one of the founders of the partnership of mobile art exhibitions. In the year, Grigory Grigoryevich took on the task of writing the charter of the association and think through its organizational structure.

The partnership of the Wanderers, creatively contrasting himself “torn from reality” of academic painting, were characterized by all those features that Myasoedov supported in his own work. Among them are a tragic attitude, deep psychologism, attention to social problems and the style of realism. One of the most important goals of the Wanderers, largely inspired by the experience of populism, was the enlightenment of the viewer.

Over the years of the partnership, its participants held several dozen mobile exhibitions in different cities of Russia, introducing the inhabitants of the province to leading achievements of contemporary art. The peak of the popularity of the Wanderers coincided with time and with the heyday of the work of their main ideologist - Myasoedov. This flourishing fell on E GG. During this period of his biography, meat -eaters not only created the most famous paintings, but also worked a lot as the organizer of exhibitions, traveled with them in Russia.

However, over the years, a split arose in the community of painters: most masters strove for innovation in art. The younger generation of artists was influenced by impressionism, while meat -eaters gradually turned into a harsh conservative and refused to exhibit at exhibitions of the Wanderers of any work, except for realistic ones. In the end, after a series of conflicts, in the year Myasoedov left the leadership of the partnership and found himself in a kind of creative isolation, although he continued to participate in exhibitions.

Partly the fault of this was the heavy character of the master - stiff, peremptory, sometimes aggressive. With gg. During these years, Myasoedov painted not only paintings depicting peasant life, but also landscapes, including Crimean winters, he loved to conduct in Yalta. Myasoedov was also fond of graphics and the art of engraving, tried himself as a theater artist and teacher.In recent years, the artist worked in solitude, was engaged in gardening at his large estate and did not take an active part in the artistic life of the capitals.

The first marriage of Grigory Myasoedov, concluded in the year, turned out to be short, unsuccessful and childless, about the first wife of the painter, the pianist Elizabeth Mikhavtsova, is not known little known. According to some reports, she left the artist because of his bad nature. The second civilian wife of Myasoedov in the year was his student Ksenia Vasilyevna Ivanova, who was suitable for the artist in her daughter, - they began to live together when the girl was pregnant.

In this union, the son of Ivan Grigoryevich Myasoedov was born -, subsequently known artist and engraving, nudist and bodybuilder, weightlifter and circus fighter, adventurer and counterfeiter - in a word, a man with a bright and extremely confusing biography. Grigory Myasoedov did not like his son from his very birth, often beat him and even inspired the boy that he was not a native child, but a reception orphan.

For some time, Ivan was brought up in a foreign family or in a shelter. This discord has become a tragedy of the meat -eater family. The relationship between father and son was extremely cold, and after the death of Ksenia Vasilievna, when Myasoedov Sr. finally informed his son that he was his native, overgrown with open hostility. Father and son were complete antipodes: the younger despised the ideals of the eldest, the eldest was disgusted with the hobbies of the younger - both sports and artistic.

The death and funeral of Grigory Myasoedov death of Grigory Myasoedov occurred on December 18 31 on the estate of Pavlenka now within Poltava. The artist was 77 years old. His son Ivan is cold -bloodly and in detail captured in several drawings the last moments of his father’s life - his dying agony, sharp and at the same time helpless facial features. Shortly afterwards, he quickly, literally, for nothing, sold all the canvases of the parent’s work, as well as his collections.

Grigory Grigoryevich bequeathed to bury him in the garden of his own estate without funeral and other church rites. The city authorities forbade this, and the funeral of Myasoedov took place in the city cemetery, but a few days later, after receiving permission from the authorities, Ivan Myasoedov still transferred his father’s ashes to the estate. A year later, in the year, a monument was erected on the grave.

The significance of the work of Grigory Myashedov Grigory Myasoedov entered the history of Russian art as an outstanding painter and a talented organizer, organizer, enlightener. The direction of the work of Myasoedov can be called socio-critical realism. He acted as a consistent opponent of the idea of ​​“art for art” and demanded from artists not only to portray something, but to change the world with his work.

His works, without embellishment depicting the life of peasants and attracting attention to their heavy share, are considered brilliant examples of Russian painting of the 19th century. The efforts of Myasoedov on the creation and development of the partnership of mobile art exhibitions made this unification one of the brightest phenomena of the cultural life of Russia in the second half of the 19th century.

The famous works of Grigory Myasoedov.