Radiona Raskolnikov Biography

Quotes of the story of the character with the proud romantic Rodion Raskolnikov, who imagined themselves to be the “top of the fate”, schoolchildren get acquainted in grade 10. The story of the murder of an old woman-percentress that happened in St. Petersburg in the middle of the XIX century leaves no one indifferent. Fedor Dostoevsky gave the world literature the most vivid representative of the personality, in which "the devil fights God." The story of the creation of his most famous work, which is respected in every corner of the world, Fedor Mikhailovich conceived in hard labor, where he got to participate in the circle of Petrashevsky.

In the year, the author of the imperishable novel wrote to his brother from the Tver exile: “In December I will begin the novel. My whole heart will rely with blood into this novel. I conceived him, lying on the bunks, in a difficult moment of sadness and self -distribution. ” The hard labor experience fundamentally changed the beliefs of the writer. Here he met with personalities who conquered Dostoevsky by the power of the spirit - this spiritual experience and was supposed to form the basis of the new novel.

However, his birth was deposited for six years, and only faced with a complete lack of money, the “parent” took up the pen. Fedor Dostoevsky image of the key character suggested life itself. At the beginning of the year, newspapers were full of terrifying news that the young Muscovite named Gerasim Chistov killed the laundress and cook, who served as a bourgeoisie.

Of the chests of women, gold and silver things disappeared, as well as all the money. The list of prototypes was complemented by the French killer. At Pierre-France Lasener, Dostoevsky borrowed the “high ideals” under the basis of crimes. The man did not see anything reprehensible in his murders, moreover, he justified them, calling himself a "victim of society." Pierre -France Lasener - one of the prototypes of Raskolnikov and the main rod of the novel appeared after the release of Napoleon Bonaparte’s book “Life of Julia Caesar”, in which the emperor expresses the idea that the powerful world, unlike the “gray mass of ordinary people”, are endowed with the right to trample moral values ​​and even kill it, if they consider it necessary.

This is where Raskolnikov’s theory of the “superman” came from. At first, the “crime and punishment” was conceived in the form of confession of the protagonist, who did not exceed five to six printed sheets in volume. The author’s ready -made initial version was mercilessly burned and began to work on an expanded version, the first chapter of which appeared in January of the year in the journal Russian Bulletin.

After 12 months, Dostoevsky put an end to the next work consisting of six parts and epilogue. The biography and plot of Raskolnikov’s life is unenviable, like all young people from poor families of the 19th century. Rodion Romanovich studied a lawyer at St. Petersburg University, but because of the extreme need, he had to quit his studies. The young man lived in a tight attic chamber in the area of ​​Sennaya Square.

Once he laid the old woman Alena Ivanovna the last valuable thing-his father’s silver clock, and that evening he met a drunken unemployed, former titular adviser to Marmeladov in a tavern. He spoke about the terrible tragedy of the family: from the lack of money, his wife sent her daughter Sonya to the panel. Rodion Raskolnikov the next day Raskolnikov came a letter from his mother, in which the troubles of his family were set out.

In order to make ends meet, sister Dunya is going to marry a calculating and already middle -aged Old Advisor Luzhin. In other words, the girl will be sold, and Rodion will have the opportunity to continue their studies at the university. The goal of killing and robbing a percentage, born even before acquaintance with Marmeladov and news from home, has strengthened.

In the soul, Rodion is experiencing a struggle between disgust for a bloody act and a high idea of ​​salvation of innocent girls who, by the will of fate, play the role of victims. Rodion Raskolnikov and the old Processor Raskolnikov still killed the old woman, and at the same time her meek younger sister Lizaveta, who came in the time for the apartment. The young man hid the loot in a hole under the wallpaper, not even figuring out how rich he was now.

Later, it prudently hired money and things in one of the St. Petersburg courtyards. After the murder of Raskolnikov, deep spiritual experiences are overtaken. The young man was going to drown, but changed his mind. He feels an insurmountable gap among himself and people, falls into a fever and even almost confesses to the murder of the writer of the police station.

Sonya Marmeladova and Rodion Raskolnikov was exhausted from fear and at the same time from the thirst for exposure, Rodion Raskolnikov admitted to the murder of Sona Marmeladova. The compassionate girl was unable to persuade the young man to come to the police with a guilty, because he intended to "still compete." But soon he could not stand it, paying for double murder of hard labor in Siberia.

Sonya went after Raskolnikov, settling next to the place of his conclusion. Dostoevsky’s image and main idea gives an accurate description of Raskolnikov’s appearance: this is a beautiful young man with thin facial features and dark eyes, tall above the middle, slender.The impression is spoiled by the poor clothing and evil contempt, which now and then flashes on the hero's face. The image of Rodion Raskolnikov’s psychological portrait of Rodion Romanovich changes throughout the story.

First, a proud person appears, but with the collapse of the theory about the "superman" pride is pacified. At heart, this is a kind and sensitive person, he devotedly loves his mother and sister, once saved the children from the fire, and gave the last money to the funeral of Marmeladov. The thought of violence is alien to him and even disgusting. The hero painfully ponders on the topic of the Napoleonic idea that humanity is divided into two parts - ordinary people and tops of fate.

Raskolnikov is disturbed by two questions - “I am trembling or have the right? Rodion Raskolnikov, however, the “ideological killer” soon understands that it is impossible to transgress moral laws without consequences, it will be necessary to go through the path of spiritual suffering and come to repentance. Raskolnikov can be safely called a marginal who failed to protect his own beliefs.

His teaching and rebellion suffered a fiasco, the drawn theory could not stand the tests of reality. By the end of the novel, the characteristic of the main character is changing: Rodion admits that he turned out to be a “trembling creature”, an ordinary person with weaknesses and vices, and the truth is revealed to him - to the fullness of life, to love, and only humility of the heart leads to God.

The film adaptation is the main characters of the novel “Crime and Punishment” appeared in many films of Russian and foreign cinema. The work debuted at home in the year, but modern lovers of Dostoevsky’s work lost the opportunity to see the work of director Vasily Goncharov - the picture was lost. Three years later, Raskolnikov again “called” the audience to the cinemas, presenting in the person of the artist Pavel Orlev.

Robert Ssezin in the role of Rodion Raskolnikov but these were minor tapes. He opened the chronicle of glorious film works, based on an inconspicuous novel, the film Pierre Shenal with Pierre Blanchard in the title role. The French managed to convincingly convey the image of Raskolnikov and the tragedy of the Russian work, the actor was even awarded the Volpi Cup. In two more foreign paintings “Crime and Punishment”, Slovak Peter Lorre and Frenchman Robert Ssezin were shot.

Georgy Taraterkin, as Rodion Raskolnikov, Soviet cinema became famous for the two -part film by Leo Kulidzhanov: George Taraterkin went to the crime, who worked on the set along with Innokenty Smoktunovsky Porfiry Petrovich, Tatyana Bedova Sonya Marmeladov, Evgeny Lebedev Marmeladov and other famous actors. This role was given to Taratorakin - before her, the young actor modestly worked in the Leningrad Youth Theater and managed to star in the cinema only once.

The picture from the entire placing of productions on the topic of the work of Fedor Mikhailovich is recognized as the most successful. Vladimir Kosheva, as Rodion Raskolnikov, was marked by a boom to create films based on classical works. The directors did not pass by Dostoevsky. Critics accepted the film work with the cold, calling it ambiguous. In particular, the song accompanying the credits was embarrassed: "Whoever laughs a lot is right, that over them is the Lord." Interesting facts magazine "Russian Bulletin" owe to the novel by Dostoevsky as a rise in popularity.

After the publication of “Crimes and Punishment”, the publication acquired new subscribers - the number of impressive at that time. According to the initial idea of ​​the author, Roman was waiting for another finale. Raskolnikov had to commit suicide, but Fedor Mikhailovich decided that such an outcome was too simple. Civil, 19 - carpentry per. It is believed that the main character of the novel lived in it.

Exactly 13 steps lead to the attic, as written in the book. Dostoevsky describes in detail the courtyard, where his loot was hidden. According to the writer's memoir confessions, the courtyard is also real - Fedor Mikhailovich drew attention to this place when he coped the need for a walk there. The actor was lying with a serious illness in the hospital, the diagnosis was made disappointing - according to the forecasts of doctors, he would have to amputate their legs.

In the photo, Taratradkin impressed the director with a painful haggard face, so he seemed to him schismatics. When the young actor received the joyful news of the approval of his candidacy, he immediately got to his feet. So the role saved the man of limbs. In Kulidzhanov’s film, the episode of the destruction of evidence by Raskolnikov after the murder is accompanied by a muffled rhythmic knock.

This sound is a heartbeat of George Taratorakin, recorded on a tape recorder. Quotes “I only believe in my main thought. It consists in the fact that people, according to the law of nature, are divided into two categories in general: into the lower ordinary, that is, so to speak, a material that serves as only for their origin to their own kinds, and actually for people, that is, having a gift or talent, the first category is always the first category - the master of the present, the second category - the lord of the future.

The former retain the world and increase it numerically; The latter move the world and lead him to the goal. " Curious, what are people most afraid of? They are more afraid of a new step, a new new word. ”