Leonid Leonov brief biography
He was brought up in the religious and patriarchal family of his grandfather. In the year in the Arkhangelsk newspaper Northern Morning, where his father was an editor, Leonid's first printed experiments appeared: poems, theatrical reviews, essays. He graduated from the 3rd Moscow gymnasium. Studied at 1 Mosk. From G., he published the prosaic fairy tale “Buryga”, then the first book of stories and the story “Petushikhin’s gap”, “The end of the small ...
man” in the first novel by L. was published in the deep knowledge of the Old Russian household structure, L. Paphos Roman - in the disclosure of the inevitability of the victory of socialist forces in the village. The realism and skill of the author of the “badgers” were highly appreciated by M. Gorky and A. in the philosophical novel “Thief”, written on the material of observations over the social bottom of the Nepovsky city, in the novels “Provincial History” and “White Night”, both, in “Extraordinary stories about peasants”, in the plays “Untilovsk” and “pacing of Badadoshkin” were continued and developed and developed developed and developed Anti -Meshchansky motifs "Barsukov".
At the same time, in –29, L. The main character of the novel is the communist Ulyadiev, an energetic organizer of construction. In L.’s novels, the image of a communist, an organizer, philosopher and a dreamer who gives his life to the construction of a communist future, plays a leading role in the “Road to the Ocean”. At the end of the 30th - early xg. The first response of L. in the war years was acquired by the patriotic journalism of L.
after the end of the war, the writer began to create the novel “Russian Forest”; Leninskaya pr. The long -term history of the struggle in the Russian science of the forest, the story of the two types of scientists becomes in the multifaceted narrative of the “Russian forest” with a passionate confession of the writer, an expression of his main life and creative ideas, where the first place is occupied by the idea of effective and responsible patriotism, based on a deep penetration into the spirit of national culture and supported by practical participation in folk life.
Here, a long search for L. is being completed in the “Russian forest” is especially obvious to the organic combination of the tradition of the Leon image, closely related to the realism and humanism of Russian classical literature, with the original use of the artistic experience of the 20th century. A particularly important place in the figurative system of the novel is occupied by realistic symbols and capacious metaphors.
In the 2nd half of the 50th-early xg. With the topics of anti -war journalism, L. in the year signed an anti -percent “letter of writers of Russia”.
The last novel of the writer “Pyramid”, on whom he worked with n. This novel sums up both Leonov’s own work, and the entire realistic literature of the XX century. In it, with special distinctness, Leonov’s desire to combine in his work the scientific picture of the world with theological, to recreate the path of development of civilization, to explain the essence of historical cataclysms in Russia, "where the human soul is represented in all kinds of dissection." The novel is covered with tragic forebodings, eschatological moods, a sense of anxiety and sadness.
It is complicated for perception, because it has many plot lines, heroes belonging to both the world of reality and infernal reality, many difficult associations, special scientific, mystical, theological terminology. The novel is marked by temporary displacements, complex dialogues of characters, philosophical thoughts about the past and future of mankind. He died on August 8 at the age of 95 in Moscow.
He was buried in the Novodevichy cemetery in Moscow. Detailed biography.