Kayurov actor biography

Kayurov graduated from the Leningrad State Theater Institute. Ostrovsky and in the same year made his debut at the Saratov Drama Theater. Over the 15 years of work in Saratov, he played many roles, among which they are particularly stood out Nesterumov and Karandyshev in the plays of A. Arbuzov, Alexei in the “Optimistic tragedy” of the Armed Forces. Vishnevsky, Mikhail Zykov in the “Zykov” by M.

Gorky - after many years, already being the actor of the Maly Theater, Yuri Ivanovich will return to this play and play Antipa, the father of Mikhail, in the production of Leonid Haifets. In the year, Yuri Kayurov first played the sign of the role of Vladimir Ilyich Lenin in his creative biography in the film by director Anatoly Rybakov “At the beginning of the century”.

Subsequently, Kayurov will be more than once in the theater and in the cinema to contact this image. In total, he played the leader of the world proletariat 18 times - in 16 films and 2 performances. In the year, a peculiar return of Yuri Ivanovich took place to his famous image - in the tragicomedy of Alexander Galin, “Dream of the heroine”, Kayurov embodied the old actor Shubin, the official performer of the role of Ilyich, who was now proposed to play ...

his monument. It is Lenin that will “bring” Yuri Ivanovich Kayurov to the Maly Theater in the year, where he was invited to the role of the leader in the play “John Reed”, staged by the Firewall of the October Revolution. Over the decades of work on the oldest dramatic stage, Yuri Kayurov performed 25 roles. A rusted provincial, an object of ridicule of his own bride and her environment, unexpectedly for his enemies, he showed both a strong character and a business grip.

Vasilkov Yuri Kayurova is rightfully considered a reference embodiment of this role. Among other works of the actor in performances according to the works of A. Supporting characters, they give an additional volume, playing an important role in the life of the main characters. The footman of the Gurmyzhskaya, despite any circumstances, remains a free person; Lake Ranevskaya is a slave by nature.

Ostrovsky, A. Chekhov and M. Gorky - these are the three playwrights who played an important role in the acting biography of Yuri Kayurov. In addition to Firs, his creative baggage is rich in roles as non -boring professor Serebryakov Kayurov twice, in Lesha and Uncle Van and took rooted by the Count of the Shabelsky “Ivanov”. The more piercing tragic notes that color the image of the count are more piercing.

The work of Yuri Kayurova is one of the main successes of the last performance of the director Vitaly Solomin. The list of Chekhov’s roles of the artist would be incomplete without mentioning the two productions of Leonid Haifets - “Zykov” and “Cherry Garden”, where Yuri Ivanovich played, respectively, Antipus Zykov and Lopakhin. The social hero, by his acting nature, Kayurov is equally successful both in the Chekhov and Gorky roles, evidence of which his work in the performances of Boris Babochkin - Ryabinin “Acades and others” and the stacks “Fake Coin” - a mysterious, incomprehensible threat to the philistine world of the master Yakovlev and his household.

The strong and imperious master, the hero of Kayurov crosses through his own godson Fom, because the matter is most important. Among other significant works of the actor, played in different years on the stage of the Maly Theater - Safonov “Russian People” K. Simonov, Andron Rus “Birds of our youth” I. Drutz, Vasiliev “Choice” by Yu. Bondarev, Dr. Botkin “And the Az Dot” S.

Kuznetsova, Polonius “Murder of the Gonzago” by N. Yordanov, Neil Andreevich “Cliff” by I. Goncharov, the old “Resurrection” by L., who came to the small mature, an actor, professional of the highest level, Yuri Ivanovich Kayurov for more than half a century is among the leading masters of our theater. Over the years, he played many powerful, strong -willed, endowed with the strong character of the heroes.

Nevertheless, Kayurov, like a real lyceum, loves to “be urgent” and “hooligan”. So, Prince Tugoukhovsky in his performance is significantly different from the generally accepted interpretation of this character “Greetings from Wit”. Prince Pyotr Ilyich, which is explaining by one interjection, is not at all deaf; Hearing problems are an extremely convenient mask that frees it from a serious service to look for grooms for their daughters who have sat in the girls.

The fate of the great age offspring does not excite the negligent old father-father. Prince Tugoukhovsky is perhaps the only one of the guests of Famusov, who appeared on the ball only for the sake of pleasure. The actor himself plays with the same pleasure, saying to different voices the “remarks” of his frivolous hero. Since the year, Yuri Kayurov actively starred in the cinema.

Venzenos family ”,“ Keys from Death ”and many others. Roles on the stage of the Maly Theater - V. Lenin, “John Reed” by E. Simonov - Vasilkov, “Frantic Money” by A. Ostrovsky - V. Lenin, “Recognition” by S. Dungulov - Ryabinin, “Reaching and others” by M. Gorky, “False Coin” by M. Gorky - Safonov, “Russian people” K. Simonov - Andrine, “Birds of our youth” I.

Drutse Kuligin, the “thunderstorm” by A. Ostrovsky-Lupachev “handsome man-male” A. Ostrovsky-Mayakin, “Foma Gordeev” by M. Gorky-Vasiliev “Choice” by Yu. Bondarev-Antipa Zykov, “Zykov” by M.Gorky-Botkin, “and the Az” S. Kuznetsov-Serebryakov, “Goblin” by A. Chekhov-Poloniy, “Murder of the Gonzago” by N. Yordanov-Neil Andreevich, “Break” by I. Goncharov-Serebcharov, “Uncle Vanya” A.

Chekhov-Firs, “Cherry Garden” by A. Chekhov-Old Dressing, “Resurrection” A. Strindberg - Karp, “Forest” by A. Ostrovsky - Prince Tugoukhovsky, “Woe from Wit” by A. Griboedov - Shabelsky, “Ivanov” by A. Chekhov - Adik, “Old, good ensemble” I. Schiller, director V. Ivanov - Shubin, “Dream of the heroine”, A. Galina, director A. Today we celebrate the anniversary of one of the elders of the Maly Theater - People's Artist of Russia Yuri Ivanovich Kayurov.

For half a century of service to these stage, Yuri Ivanovich performed 26 roles and many of them became outstanding events in the life of our theater. We decided to talk about some works by Yuri Ivanovich, referring to reviews of performances with his participation, and chose the most interesting and worthy attention for you. Dear friends! Ostrovsky director Leonid Varpakhovsky, G.

G. is very interesting, for example, to follow how on the stage of the Maly Theater in the play “Frantic Money” is the unusual psychological duel with Lidia Cheboksarova Elina Bystritskaya and Nelly Kornienko, the performer of the role of Vasilkov Yuri Kayurov. Before us is a sincere and in his own way a charming person who, in relations with a woman, seeks to affirm high moral standards.

Therefore, everything that is connected with the “calculation”, “budget” and “deed” is served as the arguments of the internal fight, as a means of curbing Lydia, as a form of an advance on her thoughtlessness and wastefulness - in the name of a different nature of marital relations ”L. Solntsev, Pravda, January 9, recalls the classic comedy of Shakespeare - “Taming of the obstacle”.

Methodically and consistently, Savva Vasilkov Yuri Kayurov, a representative of the emerging class of “business people”, taps his “obstinate” wife, aristocrat Lydia Cheboksarov Elina Bystritskaya.

But if Petruchchio tamed Katarina wit and power, then the businessman of the new formation of Vasilkov skillfully uses the power of money. He is childishly gullible, innocent and directly in his love, but where it comes to money, about his capital, naivety and simple -mindedness there is no room. The sage and the Great Manager Ostrovsky understood the power of the Vasilkovs, but did not idealize them.

And Vasilkov, offended to the depths of his soul, ready to shoot with Kuchumov Vladimir Kenigson, with Teleachyev Nikita Podgorny, with all the light, ready to shoot himself in despair, does not forget at the same time both furiously and mechanically count the money, borrowed to him by the calves. In this scene, the farce and genuine tragedy are surprisingly subtly combined ”by R.

Tamarina, “Alatau Lights”, on June 14, the characters of the “human comedy” are all the characters. Interesting, unexpectedly and boldly plays Yuri Kayurov. The portrait of the “Business Man”, created by the actor, is precisely inscribed in the gallery of comedic images of the performance. Vasilkov is devoid of human significance, breadth and scope. In a sprout-brilliant manner, the actor draws a type of self-confident, in his own way even a sensitive and sentimental, but careful, clear person, whom nothing can force to forget about his “budget”.

There is something bourgeois in his appearance, in the vulgarity of his manner, in the fussiness of his movements. And, finally, in Vasilkov, contrary to his moralistic maxims, some kind of rogue is felt. And therefore, his phrase sounds especially expressively: "In the practical age, it is not only better to be honest, but also more profitable." With a large comic expression, almost in eccentric terms, Kayurov spends the scene when Vasilkov silently calculates the amount of his wife’s debts, and the feeling of discontent and irritation in his soul is manifested in increasingly sweeping and sharp blows to the knuckles.

The “dramatic” scene is also painted in comedic tones, when, after a break with his wife, Vasilkov tries to shoot himself, and then goes with Teleyyv to “Zlamnaya Places”, ridiculously putting B. Aseev, Izvestia, on December 26th in the inner pocket of a large duel pistol.