Angelica Kholina Biography

Use Tab To Navigate Through The Menu Items. Vakhtangov, in which from the year the Lithuanian director works as an artistic director. However, musical theaters are not deprived of the attention of this creative union. Shostakovich at the Bolshoi Theater, in the season in the repertoire of the musical theater. Stanislavsky and Vl. Nemirovich-Danchenko appeared the operas “King Oedipus” and “The Castle of the Duke of the Blue Beard”, and the premiere of the new version of the Queen of Spades took place at the Bolshoi Theater on February 15.

And each time Rimas Tuminas works with the same team where Angelica Kholina acts as a choreographer. Angelica Kholina was born on July 30 in Vilnius. At the age of four, the girl began to engage in ballet in one of the circles of her hometown, she graduated from the Ballet Vilnius school in the year, and two years later, at the age of 21, she first tried herself as a choreographer.

Vakhtangov, where he acts as a choreographer in the performances of Rimas Tuminas, but also puts his own performances. Twice it became the laureate of the Prize of the Lithuanian Ministry of Culture The Golden Cross of the Scene for its choreographic productions: in the year for Othello and in the year for Anna Karenina. In the year, the President of Lithuania handed her the Order of the Knight's Cross for merits in the development of Lithuania’s culture, and in the year, Angelica received the highest state award of Lithuania culture figures - the golden sign of honor “Bring your light and believe”.

Today, Angelica Kholina is one of Lithuania's most famous choreographers. Its productions, created for novice dancers from Lithuania and Germany, were awarded with numerous awards at various large ballet competitions around the world: Lausanne, Varna, Moscow, Paris, Tokyo, New York. Her name is known in European and American ballet circles. Its track record has fifteen choreographic performances, two ballets, more than a hundred choreographic miniatures, musical and operetta, she put choreographic numbers for opera performances and films of the Warner Brothers film company.

If we talk about her creative approach, then all the performances of Angelica invariably distinguishes the same principle - the extraordinary synthesis of dramatic art and ballet. Thanks to this, elements of classic PA, modern dance, and drama are exceptionally interwoven in her works. According to the choreographer, the choice of expressive means, dancers and actors depends only on the topic of the production.

Or what is happening on the stage. Or does not worry. By this principle, all my performances are made. They cannot be compared with each other. I can put as you like. And classic ballets too. The topic dictates style. First of all, it is important for me whether the viewer understood something, was it touched, did I force him to be better? Did he see himself in the play?

In Moscow, you can get acquainted with the work of Angelica Kholina, first of all, in the theater. At different times, four full -fledged performances were included in his repertoire, in which Angelica performed both a director and a choreographer at the same time. It is the stories of women who have become exile as a result of the war. By the will of fate, all these women were forced to leave their native houses, a familiar life, fleeing disasters and violence.

All of them are found in a cafe on the embankment, to which their ship stuck. Each of them has its own story: someone has memories; Someone, on the contrary, lives here and now, flirting with passing men and waiters; Someone dreams of a performance woven from the songs of Marlene Dietrich, and the story is conducted in the dance language. Vakhtangov and, as many viewers note, is one of the most emotionally strong works created by Angelica Kholina.

Perhaps this is partly due to the fact that the main role is played by an actress, who has a professional ballet education behind him. Olga Lerman, a student of the Baku choreographic school and a graduate of the Krasnodar choreographic school, having received a diploma in the famous pike, was admitted to the troupe of the theater named after Vakhtangov, where the party of Anna Karenina became the real discovery of this actress.

She managed to create a fragile and very strong Anna simultaneously. She longed for happiness and love and, finding them, reveled in them. Anna Olga constantly sought to live “to the full”, without taking anything, the amazing interweaving of the incredible music of Alfred Schnita, who delightfully accurately and clearly conveyed the emotional state of the heroes; a curious and intuitive choreography, which is both an academic dance and contemporary; The beautiful game of dramatic actors, who had enough gesture and gaze to create an image in this performance for the final result, was played by absolutely everything, up to the light and spotlights highlighting certain heroes.

It is impossible not to note the amazing find of Angelica Holina. We all know that Anna Karenina committed suicide, rushing under the train, but in the performance of the theater. Vakhtangov is portrayed by those who were once friends and relatives of Anna, that is, the so-called security society.She says the following about her idea: “In the theater, I want to talk about the love, relationships and fate of people, so I chose“ Othello ” - the great work of Shakespeare, where he portrayed a terrible, truly amazing tragedy of a person who killed the most expensive creature and deprived his life of all meaning.” To do this, she resorts to all means familiar to us: the synthesis of dramatic skill, academic dance and modern plasticity.

And again, the main female role is played by Olga Lerman, who creates a completely sincere and genuine image of the young Desdemona, endlessly in love with her husband, ready to accept him "and in joy and sorrow." Swown hands, incredibly expressive eyes, literally radiating happiness at the beginning and completely extinct at the end of the performance, only enhance the effect.

The complete feeling of a soul turned inside out to the shreds inside, the head, which even after the closing of the curtain, remains there, in this love story, jealousy, vanity and betrayal. During the final scene, you can hear the sobs of the audience, so emotionally music, plastic and acting reached everyone who was in the hall. And if in the first -action anti -operation then there and here you could hear the disappointed comments “No,“ Anna Karenina ”will be stronger and more interesting!

And only in the metro area you can hear the first timid attempts to express in words that the actors were handed over with dance and movements. Most likely this is not an indicator? The main idea is already expressed in the names of men and women on women Each of the stages of their life: from early old age, from the first interest in the opposite floor to family routine and life through love, “grinding” and passion.

Men and women need to learn to be together and fight for their love to the end, even when their natural incompatibility becomes unbearable, ”says Angelica Kholina. The creators amazingly managed to show completely different options for both sides: from modes to Korolev girls, who are not ready to part with their crown for a second, from courtes to the metro-industrial sections.

And although every hero is somewhat hyperbolized and exaggerated, not one of them looks and vulgar. On the contrary, in no case, the line of amazing humor and bad taste is not crossed, which, alas, is extremely rare in the premieres of recent times. Isn't it necessary for that? What performances to wait in the near future? I live on the principle of "here and now." I am open to life, for tomorrow, without making up and not inventing ahead.

I create some kind of comfort, but when necessary, I instantly concentrate. The aspects of my life - personal and professional - are not mixed. I am free. I would like people not to lose faith in the theater, because he shows which we reminds us that we are mortal ... ”Tags:.