Vyacheslav Samarin Biography

Vyacheslav Samarin reveals to the invisible interlocutor the meanings of metaphors, which he invested in the quadriptha “smoke of the Fatherland”, which he worked for almost ten years. And then from some point you notice that she begins to tell you the further path. The picture grows like a tree ... ... between the parts of the quadriptha, against the background of the darkness, our fights with the Tatars.

This I bought the soldiers of multi -colored in the store, painted them in a neutral gray color. We won the Tatars! Here is a fragment - George the victorious fights with a snake. When he beats this snake, the earth blackened from Core, as Speaks in Vysotsky’s song, will again become the way it should be. But George Snake will beat, and a new one crawls out of this hole.

There is always a war on our earth. Remember, the Yesenin lines "again swam water from the darkness"? From the hole from which the snakes crawled, the black blood of the earth flows. This is the oil we are successfully trading. But, upstairs, Kokoshnik is a bride’s wedding duck in the Russian North, which is called a “bandage”. My mistress had such an expedition, the old Virgo.

She never got married, she got this “bandage” from her mother. The image of a woman who in her entire long life did not get the groom of the present ... The goddess in the Russian Kokoshnik. I brushed her cheeks ... "Smoke of the Fatherland" - a paradise for those who deserve it. Who is just going to get there is in the darkness between the paintings of the ladder.

See a photo? This is a picture of the gunfire, with whom he came from Moscow to Berlin. And not with this, but already with the fourth counting ... My private Mukhin made a feat, and it does not matter that he did not take Berlin! He defended Moscow. And not in vain we call the participants in the war saints. There will be a village in his paradise, there will be stoves drowning ...

” This large -scale exhibition, which again met the best works of Vyacheslav Fedorovich, who came to Smolensk from the funds of Russian museums, was very difficult to carry out. But the guiding star and muse Vyacheslav Fedorovich, Honored Artist of Russia Vera Samarina managed to find the key to tightly closed doors. The exhibition, which took place thanks to the support of the Governor of the Smolensk region Vasily Anokhin and the Ministry of Culture and Tourism of the region, the Smolensk branch of the CIS of Russia and its chairman Sergei Bogomolov, director of the State Museum-Reserve Tamara Orlova, prepared the whole world "today we have a holiday, and, as the song is sung," a holiday with tears in the eyes.

" He had to take place, ”said Vera Evgenievna. Because the last two to three months, Glory said: “I would live to the exhibition to see all the work together for the last time ...”. He really wanted this, and how could I not do it? Once she sounded in a hunting hut, which was reflected in the diptych "will not pass for six months." In the taiga wilderness, Samarin heard this delicate, angelic voice from the receiver, and it seemed to him that he was singing only for him ...

... The next day after the opening of the memorable exhibition, I accidentally heard this song three times. I thought: probably this is Vyacheslav Fedorovich hello to me from heaven. To remember! The sixties-artists, whose formation took place during the years of Khrushchev’s “thaw”, when the art of a “harsh” style with its fishermen, builders and rags kept up with his pompous canvases of the Stalinist era.

More than three hundred artists - delegates of this conference came here. And they admired Smolensk, where very talented works were often born! The great Alexander Deineka, who was very respect for the work of glory, once said: "Art shows the past and predicts the future." Samarin's work is turned into the past, affecting the theme of the Great Patriotic War. But at the same time, he always remained an artist of his time.

” The ability to compass the honorary member of the Russian Academy of Arts, a member of the Board of the Moscow Branch of the All -Russian Organization of Arts, a full member of the Roman Academy of Contemporary Art of Larisa Nemenskaya handed over the warm, gentle greetings from the People’s Artist of Russia Boris Mikhailovich Nemensky: “Boris Mikhailovich still cannot believe that Samarina is no longer with us.

He asked me to hug and kiss Vyacheslav Fedorovich ... At one time, Samarin was a student of Boris Mikhailovich, Nemensky taught his student painting, composition. And then they became friends in life. But these were not just human sympathies. Both artists were completely in a special way about an easel picture in which every detail is important. To each canvas of the painter always leads a long way of preparation - sketches, reflections on each fragment of a complex organism, auditory metaphors.

In the works of Vyacheslav Samarin there are a lot of humor, a sort of decorative, elegant hooliganism. But the main thing in them is the ability to compassion, join the tragedy of a very difficult and difficult history of Russia. The tragedy of the images of Vyacheslav Fedorovich amazes with a huge spiritual strength, this is the optimism of his work.The ability to look inside the soul is a special property of Russian art.

Over the years, the significance of the creative heritage of Vyacheslav Samarin will only increase, because all his work is the voice of the era, which managed to convey the pain of losses. Low bow to the talented artist Vera Samarina! She is a courageous, great power of spirit man. It is not easy to be a wife of such a passionate, agile, passionate, in the best sense of a fierce artist, devoted to art.

” Samarin was ahead of the famous art critic Tatyana Boytsova found Vyacheslav Fedorovich in the years, when he was already very famous for his works, whose reproductions were widely published in art magazines and albums. When, from such vivid, expressive images of the era of romantic wanderings of artists - seventies, he passed to other works, putting multi -layer meanings at the forefront, reflections on the fate of Russia, and mention of historical events.

At this time, I worked as part of the zonal exhibition, and we always looked forward to the work of Samarin: each time he represented unexpected and bright works that caused hot disputes. His canvases were enjoyed by increased interest, although not everyone then perceived his techniques and experiments in art. But only years later I realized - in the works of the last decades, Vyacheslav Fedorovich was ahead of his time.

Samarin sought to be modern, and continues to be a contemporary of different generations. ” Prayer for health, prayer for repose at the exhibition “Until the future spring ...” there is a work that is a kind of result of the creativity and life path of Vyacheslav Samarin. In September, something unusual happened in the cultural life of Smolensk - the presentation of Diptich Vyacheslav Samarin “Native and Close” in the Smolensk Historical Museum.

Parts of the diptych divides a distance of 50 years. The paradigm, demonstrating the existential, philosophical view of the artist at the world, bringing the results of his earthly existence. Deeply personal view! The works of Vyacheslav Samarin are initially amazingly juicy poetry of color, epic, large -scale thinking and love of the smallest details playing the polyphonic canvas high with human growth the first violin.

And, of course, rebellion - how the exhibitions cursed and almost spit in the middle of X on the artist’s family of the artist’s family and tenderness, which later became the first part of the diptych! Their high communist feelings were insulted by the dog, daring to turn the tail to the viewer. The wording of refusal to participate in the exhibition was murderous: "The artist puts personal above public." Personal is Vera's wife, son Dmitry, beloved friends are dogs.

A patchwork rug, sewn by Moscow grandmother, hunting trophies, a varnished table, lfz cups, a shop that the artist made with his own hands. A sonorous song of homemade comfort, family happiness and nothing overshadowed. The second part of the diptych is the image of Russia “House that is not” the artist wrote this work ten! There is no longer the Yesenin “Birch Sitz”, hut with a burning hearth and a ring for a cradle.

They squandered Russia negligently, stupid, in thought. That is why this work is immersed in a gray-lilac thickened dusk, written out by acrylic with a deliberate relief and is replete with semantic elements of the collage. From a warm rural stove to an indifferent, dead moon is a stone's throw! The first part of the diptych is “Prayer for health”. The second is "Prayer for the Monk." The “mine” canvas is dated to the year, but it sparkles with what bright, juicy colors!

The combination of color, the iridescent matte surface is largely close to the Palekh masters. This work was written on Levkas, made traditionally by a fish klee, with a temporal lodging. Vyacheslav Fedorovich wrote with Lessings the technique of painting, based on applying thin translucent colors on top of each other, covering colorful layers with varnish, and managed to achieve an amazing visual effect - beautiful shades resembling transparent glass and icing.

If you look closely at the bottom of the work, there is an inscription - the words of Patriarch Alexy: "Dogs are the last angels on earth." Vyacheslav Fedorovich loved dogs very much, like - comrades in taiga wanderings. It was his cross. Look into the clean, devoted and gullible eyes of a four -legged friend, and you will understand everything. Is the Studio School at the Smolensk Union of Artists to be?

And always, in addition to paintings, presented unique personal things, archival documents at the exhibition. All my life I am amazed at the fact that such a large artist took and moved from the capital to the hinterland. Ordinary people strive to escape to Moscow from the province, and he acted the opposite: he came to Smolensk to set the high bar to the cultural level of the city.

We came to the decision that our organization, following the example of Vyacheslav Fedorovich, should also do a good job - create a studio school. We have many artists who can convey young people experience, traditions and their views on art. I hope that our undertakings will come true!They flew to Arkhangelsk, then they went on a ship, until they reached the Zolotitsa River. They just started to equip, and they were immediately ...

arrested. The police decided that sketches are transmitters with antennas! Of course, they were then released when they figured out that they were not saboteurs, but artists. They were pioneers, then it was all that all began on the White Sea to go to creative expeditions.